Ada Pinkston
Ada Pinkston is a Baltimore-based artist, educator, and cultural organizer. She explores the intersection of imagined histories and sociopolitical realities on our bodies using performance, digital media, and mixed-media sculptures and installations. Her ongoing project, Landmarked, investigates new ways of activating the empty spaces left by the 48 Confederate monuments that have been removed. The project considers how we reframe public space to be more equitable and inclusive of all histories through civic engagement, the voices of people of color, and historical memories that are often overlooked by dominant cultural narratives found in public school textbooks. Each day this week her news curation will present a new focus on an individual set of stories.
Ada Pinkston is a multimedia artist, educator, and organizer living and working in Baltimore, Maryland. Born in New York, her artistic research interest spans the social sciences, global colonial histories, American Studies, and community art practices. Her work has been featured at a variety of spaces including The Smithsonian Arts and Industries Building, LACMA, The Baltimore Museum of Art, The Walters Art Museum, The Peale Museum, Transmodern Performance Festival, P.S.1, The New Museum, Light City Baltimore and the streets of Berlin, Baltimore, Orlando, Washington DC, and New York. She has presented lectures on public space at The French Embassy, NYU, UCLA and The National Gallery of Art. She is also an alumnus of the Monument Lab+Goethe Institute Transnational Fellowship. Her most recent work can be found in the permanent collection of the Los Angeles County Museum of Art.
“Very honored to have been asked to participate in the artist news network. As we live in a world of multiplicities, there is never Only One of anything. That said, every day, there will be a new series/concept of focus.” – Ada Pinkston
Day 1 – Women artists who make public art (sometimes)
Day 2 – Strange Creatures in the universe
Day 3 – Moments of Black liberation
Day 4 – Controversial Public Art
Day 5 – Repair / Reparations
Day 6 – The Earth is going to Win (stories from the environment)
Day 7 – Looking up at the Ceiling and then seeing the sky (stories from outerspace)



Articles
Feb 1, 2023
POWER TO THE PEOPLE: THE BLACK PANTHER AND THE PRE-DIGITAL AGE OF RADICAL MEDIA
Published by Funambulist
Mar 1, 2019
Read the article Here

Feb 1, 2023
ONE SONG ONE TEXT: THE MYSTERY OF INIQUITY BY LAURYN HILL
Published by Funambulist
Nov 2, 2021
Read the article Here

Feb 1, 2023
On MLK Day, Honor the Mother of the Civil Rights Movement, Too
Published by Time Magazine
Jan 16, 2017
Read the article Here

Feb 1, 2023
Ella Baker Center Celebrates Prison Closures, Urges State Leaders to Continue Efforts to Reduce Prison Populations
Published by Davis Vanguard Blog
Dec 9, 2022
Read the article Here

Feb 1, 2023
Black Women Diarists Have Always Looked to Black Future Month
Published by Ms. Magazine
Feb 1, 2023
Read the article Here

Feb 1, 2023
ON NATIONAL LIBERATION, CULTURE, AND HIP HOP: A READING OF ELOM 20CE’S PAN-AFRICAN VIDEOS
Published by Funambulist
Nov 2, 2021
Read the article Here

Feb 1, 2023
Telling ‘the Sweep of 400 Years’
DAY 3 – Moments of Black Liberation
“Nikole Hannah-Jones received a Pulitzer Prize for an essay that led The 1619 Project. In a sense, she had been writing that essay for decades.”
Published by New York Times
Jun 18, 2020
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Feb 1, 2023
When an Artist Took a Stand for Racial Diversity and Inclusion, and Won by Angela N. Carroll
Published by Sugarcane Magazine
Aug 14, 2020
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Feb 1, 2023
The House of the Students of the Empire in Lisbon
Published by Funambulist
Nov 2, 2020
Read the article Here

Feb 1, 2023
Black power: the fists and the fury that shook America – and inspired generations
Published by The Guardian
Aug 31, 2020
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Feb 1, 2023
LANDBACK IN SOUTH AFRICA: WHEN, HOW, AND FOR WHOM?
Published by Funambulist
Feb 14, 2022
Read the article Here

Feb 1, 2023
Nelson Mandela, Free
DAY 3 – Moments of Black Liberation
“Mandela’s release was a transcendent moment in the South African saga, yet it was by no means the story’s climax.”
Published by New Yorker
Feb 19, 1990
Read the article Here

Jan 31, 2023
A Brief History of House Cats
DAY 2 – Strange Creatures in the Universe
“It may be that ‘nobody owns a cat,’ but scientists now say the popular pet has lived with people for 12,000 years”
Published by Smithsonian Magazine
Jun 30, 2007
Read the article Here

Jan 31, 2023
Octopuses Don’t Have Backbones — or Rights
Published by New York Times
Aug 27, 2022
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Jan 31, 2023
How to kill a lobster: humanely, say the Swiss
Published by Swiss Info
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Jan 31, 2023
“Croco-salamander” bones offer clues to how early animals emerged from water
Published by The Harvard Gazette
Dec 5, 2022
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Jan 31, 2023
The plight of the Japanese giant salamander: “23m years of DNA might die out”
Published by The Guardian
Jan 12, 2023
Read the article Here

Jan 30, 2023
Jeannette Ehlers: Archives in the Tongue: A Litany of Freedoms
DAY 1 – Women artists who make public art (sometimes)
Jeannette Ehlers
We’re Magic. We’re Real #3 (These Walls), 2021
Performance, Archives in the Tongue: A Litany of Freedoms
Published by The Brooklyn Rail
Sep 1, 2022
Read the article Here

Jan 30, 2023
Denmark’s First Public Monument to a Black Woman Celebrates a 19th-Century Freedom Fighter
DAY 1 – Women artists who make public art (sometimes)
La Vaughn Belle & Jeannette Ehlers
I Am Queen Mary, 2018
Located outside the Vestindisk Pakhus (West Indian Warehouse) on the waterfront in Copenhagen, Denmark
Published by Hyperallergic
Apr 2, 2018
Read the article Here



Jan 30, 2023
Envisioning a World Where White Men Are Pedestals for Sculptures
DAY 1 – Women artists who make public art (sometimes)
Catalina Ouyang
an elegy for Marco, 2016
Live performance at the Millitzer Gallery in St. Louis
Published by Hyperallergic
Dec 12, 2016
Read the article Here











