Ada Pinkston
Ada Pinkston is a Baltimore-based artist, educator, and cultural organizer. She explores the intersection of imagined histories and sociopolitical realities on our bodies using performance, digital media, and mixed-media sculptures and installations. Her ongoing project, Landmarked, investigates new ways of activating the empty spaces left by the 48 Confederate monuments that have been removed. The project considers how we reframe public space to be more equitable and inclusive of all histories through civic engagement, the voices of people of color, and historical memories that are often overlooked by dominant cultural narratives found in public school textbooks. Each day this week her news curation will present a new focus on an individual set of stories.
Ada Pinkston is a multimedia artist, educator, and organizer living and working in Baltimore, Maryland. Born in New York, her artistic research interest spans the social sciences, global colonial histories, American Studies, and community art practices. Her work has been featured at a variety of spaces including The Smithsonian Arts and Industries Building, LACMA, The Baltimore Museum of Art, The Walters Art Museum, The Peale Museum, Transmodern Performance Festival, P.S.1, The New Museum, Light City Baltimore and the streets of Berlin, Baltimore, Orlando, Washington DC, and New York. She has presented lectures on public space at The French Embassy, NYU, UCLA and The National Gallery of Art. She is also an alumnus of the Monument Lab+Goethe Institute Transnational Fellowship. Her most recent work can be found in the permanent collection of the Los Angeles County Museum of Art.
“Very honored to have been asked to participate in the artist news network. As we live in a world of multiplicities, there is never Only One of anything. That said, every day, there will be a new series/concept of focus.” – Ada Pinkston
Day 1 – Women artists who make public art (sometimes)
Day 2 – Strange Creatures in the universe
Day 3 – Moments of Black liberation
Day 4 – Controversial Public Art
Day 5 – Repair / Reparations
Day 6 – The Earth is Going to Win (Stories from the Environment)



Articles
Feb 4, 2023
Did Nature Heal During the Pandemic ‘Anthropause’?
Published by New York Times
Jul 16, 2022
Read the article Here

Feb 4, 2023
Pandemic’s Cleaner Air Could Reshape What We Know About the Atmosphere
Published by New York Times
Jun 25, 2020
Read the article Here

Feb 4, 2023
Green projects are boosting UK growth – CBI report
Published by BBC Environment
Jan 31, 2023
Read the article Here

Feb 4, 2023
Winter rains revive Iraq’s famed marshlands
Published by Al Jazeera
Feb 2, 2023
Read the article Here
![Iraqi farmers on boats collect reeds from the banks of the southern Chibayish marshes. [Asaad Niazi/AFP]](https://artistnewsnetwork.com/wp-content/uploads/2026/10/Ada-Pinkston-Artist-News-Network-Day-6-3.jpg)
Feb 3, 2023
How Germany Changed Its Mind, and Gave the Benin Bronzes Back
Published by New York Times
Read the article Here

Feb 3, 2023
Smithsonian Returns 29 Benin Bronzes to the National Commission for Museums and Monuments in Nigeria
Published by Smithsonian
Oct 11, 2022
Read the article Here

Feb 3, 2023
‘We need to get them back home’: the fight to bury Aboriginal remains kept in museums
Published by The Guardian
May 17, 2022
Read the article Here

Feb 3, 2023
REPARATIONS TOWARD THE END OF THE WORLD
Published by Funambulist
Jun 29, 2020
Read the article Here

Feb 3, 2023
EDWARD HALEALOHA AYAU /// Reparations: 30 Years of Repatriation of Hawaiian Ancestors
Published by Funambulist
Jul 6, 2020
Read the article Here


Feb 3, 2023
We have to take a first step’: inside the fight for reparations in America
Published by The Guardian
Jan 16, 2023
Read the article Here

Feb 3, 2023
Could plans to redevelop Richmond’s Coliseum include reparations?
Published by Greater Greater Washington
Feb 1, 2023
Read the article Here

Feb 3, 2023
Colombia to pay reparations for role in extermination of leftwing party
Published by The Guardian
Feb 1, 2023
Read the article Here

Feb 2, 2023
Maya Lin’s Vietnam memorial blazed a path in 1982, but no one followed
Published by Washington Post
Nov 16, 2022
Read the article Here

Feb 2, 2023
Decision nears on fate of freed-slave sculpture
Published by Indianapolis Business Journal
Oct 7, 2011
Read the article Here
















