Ada Pinkston


Ada Pinkston is a Baltimore-based artist, educator, and cultural organizer. She explores the intersection of imagined histories and sociopolitical realities on our bodies using performance, digital media, and mixed-media sculptures and installations. Her ongoing project, Landmarked, investigates new ways of activating the empty spaces left by the 48 Confederate monuments that have been removed. The project considers how we reframe public space to be more equitable and inclusive of all histories through civic engagement, the voices of people of color, and historical memories that are often overlooked by dominant cultural narratives found in public school textbooks. Each day this week her news curation will present a new focus on an individual set of stories.

Ada Pinkston is a multimedia artist, educator, and organizer living and working in Baltimore, Maryland. Born in New York, her artistic research interest spans the social sciences, global colonial histories, American Studies, and community art practices. Her work has been featured at a variety of spaces including The Smithsonian Arts and Industries Building, LACMA, The Baltimore Museum of Art, The Walters Art Museum, The Peale Museum, Transmodern Performance Festival, P.S.1, The New Museum, Light City Baltimore and the streets of Berlin, Baltimore, Orlando, Washington DC, and New York. She has presented lectures on public space at The French Embassy, NYU, UCLA and The National Gallery of Art. She is also an alumnus of the Monument Lab+Goethe Institute Transnational Fellowship. Her most recent work can be found in the permanent collection of the Los Angeles County Museum of Art.

“Very honored to have been asked to participate in the artist news network. As we live in a world of multiplicities, there is never Only One of anything. That said, every day, there will be a new series/concept of focus.” – Ada Pinkston

Day 1 – Women artists who make public art (sometimes)
Day 2 – Strange Creatures in the universe
Day 3 – Moments of Black liberation
Day 4 – Controversial Public Art
Day 5 – Repair / Reparations
Day 6 – The Earth is going to Win (stories from the environment)
Day 7 – Looking up at the Ceiling and then seeing the sky (stories from outerspace)

Articles





Feb 1, 2023

Ella Baker Center Celebrates Prison Closures, Urges State Leaders to Continue Efforts to Reduce Prison Populations

DAY 3 – Moments of Black Liberation

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Published by Davis Vanguard Blog

Dec 9, 2022

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Jan 31, 2023

Clouded Leopard Found at Dallas Zoo After ‘Suspicious’ Tear in Enclosure

DAY 2 – Strange Creatures in the Universe

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Published by New York Times

Jan 14, 2023

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Jan 31, 2023

A Brief History of House Cats

DAY 2 – Strange Creatures in the Universe

“It may be that ‘nobody owns a cat,’ but scientists now say the popular pet has lived with people for 12,000 years”

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Published by Smithsonian Magazine

Jun 30, 2007

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Jan 31, 2023

It seems like everyone wants an axolotl since the salamander was added to Minecraft

DAY 2 – Strange Creatures in the Universe

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Published by NPR

Oct 20, 2022

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Jan 30, 2023

Jeannette Ehlers: Archives in the Tongue: A Litany of Freedoms

DAY 1 – Women artists who make public art (sometimes)

Jeannette Ehlers
We’re Magic. We’re Real #3 (These Walls), 2021
Performance, Archives in the Tongue: A Litany of Freedoms

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Published by The Brooklyn Rail

Sep 1, 2022

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Jan 30, 2023

Denmark’s First Public Monument to a Black Woman Celebrates a 19th-Century Freedom Fighter

DAY 1 – Women artists who make public art (sometimes)

La Vaughn Belle & Jeannette Ehlers
I Am Queen Mary, 2018
Located outside the Vestindisk Pakhus (West Indian Warehouse) on the waterfront in Copenhagen, Denmark

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Published by Hyperallergic

Apr 2, 2018

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public sculpture by La Vaughn Belle and Jeannette Ehlers, “I Am Queen Mary”artwork 'I Am Queen Mary' by La Vaughn Belle & Jeannette Ehlers